Monthly Archives: September 2026

Guest poet – Alexandra Corrin-Tachibana


It’s an enormous pleasure introducing this month’s guest poet. We met a while ago when I attended one of Alexandra’s online courses. She’s an inspiring tutor.


You’ll find her biography at the end of this post, with links to two more poems. This week Alexandra’s second collection with Salt is published. Skinship is a full collection: formally innovative in using and adapting traditional Japanese forms (haiku, tanka, senryu, haibun, and zuihitsu). I was particularly struck by the ‘burning haibun’.


The poems are ‘rooted in Alexandra’s lived experience of Japan’ and rich, poignant and memorable. There is a well-judged balance of humour and sadness. It’s not surprising that many of the poems have already been published and successful in competitions.


Here are the three poems which I chose from my long shortlist. To preserve the original features, the poems are presented as images.


Biography

Alexandra Corrin-Tachibana is the author of two poetry collections: Sing Me Down from the Dark and Skinship, both published by Salt publishing.

This year, she won the Frome Festival Crysse Morrison Poetry Prize, as well as Verve’s February Poem of the Month competition, was placed third, by Mimi Khalvati, in the Kent and Sussex competition, and shortlisted for the Wolves Lit Festival competition. She is shortlisted for the 2026 Forwards Prize for Best Single Written Poem, for her poem, Madam Gout, originally published by Magma.

Alexandra lived in Japan for 10 years and has Masters’ degrees in Japanese Language and Culture and in Writing Poetry. She is based in Newcastle-upon-Tyne and teaches for The Poetry School and The Poetry Business. Her most recent work is published or forthcoming in Pennine Platform, The North, Vervacious anthology (Verve Poetry Press), The Alchemy Spoon, and online in And Other Poems.

Links to recent poems:

Pillow Book Talk: a zuihitsu for Sei Shonagon

Learning from a Mischief

A decade of blogging: poets and their poems

Celebrating a decade of blogging: 4 published poetry books (3 collections, 1 pamphlet), a Northern Writers’ Award; 360 blog posts, 117,508 words, including 89 guest poets; 52,500 views (increasing from 1,314 in 2016 to 9,600 so far in 2026); 33,900 visitors, 4000 likes. All that without AI…


I was delighted when Oversteps Books decided to consider Another life for publication. It was competitive: no guarantee they’d pick my manuscript.

Anxiety took over. ‘I need a website; I need to look like a serious poet’.

Fortunately, I already had a webmaster. Sophie Brown had designed the website for my consultancy and psychotherapy practice nine years earlier and helped me to keep it going.

Both of us are creatives with a business/consultancy side – so, we’re often on the same wavelength. Over a busy Easter weekend, Sophie and I finalised the website for acaciapublications.co.uk together in 2016. An obsessive search for just the right picture of a giraffe…

Just before the Covid lockdown, Sophie was at the launch for my second collection Nothing serious, nothing dangerous. The cover is the painting The Departure by Sophie’s late father.

Book Launch of “Nothing serious, nothing dangerous with painting “The Departure” copyright Sophie Brown 2026

I am grateful to our mutual friend H. for making the introduction all those years ago. A couple of times each year I still check in with Sophie: for technical advice and to explore if the website still fits with my current goals.

A huge ‘Thank you’ to Sophie, who deserves the limelight today.

Sophie Brown

I did design the visual style and infrastructure for the acacia publications site, and we’ve had many conversations about its purpose and dealt with technical issues. However, all the hard work – writing content over the decade, persistently creating regular blogs, meeting people, inviting guests, editing the site – is, of course Fokkina’s. Something to celebrate indeed!

Pygmalion – cutout paper on mountboard by Graham Kingsley Brown, Copyright Sophie Brown 2026

I was fortunate to inherit a proclivity for creative thinking, a good eye for design and practical art skills from my artist father Graham Kingsley Brown, whose varied work in painting, sculpture, design and poetry I have had the pleasure to bring to light in recent years at https://www.grahamkingsleybrown.co.uk.

Professional life
This innate impulse took me on an evolving path through art history, painting and design, to becoming a professional Landscape Architect designing landscapes, and from there to developing skills in “thinking”, whilst being Creative Director for The Edward de Bono Foundation UK. That led to co-founding Company of Mind with Adrian West in 2010, where I design thinking programmes, with graphics and techniques for the “canvas of the mind”. We’ve facilitated thousands of people to work together using systematic techniques to shift perception in order to successfully come up with new ideas and strategies.

“Exploring new territory” – pencil drawing on paper, © Copyright Sophie Brown 2026

Moving to the East Yorkshire coast from urban Manchester 5 years ago has brought a new lease of life with different conditions, as moving to the Netherlands has done for Fokkina.

Each day, year, decade brings the opportunity to explore fresh inner and outer territory in our chosen means of expression. What is crucial, as Fokkina has demonstrated, is a consistent practice paired with a responsive approach.

Poem: Staff beckon us over during the tea break

credit: Congerdesign via Pixabay

This is my anniversary poem, written many years ago.

Staff beckon us over during the tea break

A pleasant hotel outside Bath, ample parking.
The co-trainer and I hired hands, delivering
a course we didn’t write. A tight schedule.

Two compulsory days on soft skills
for the Revenue or the MOD.

Participants stand, munch biscuits.
The deputy manager half-whispers.
Advises us not to let people go unprepared

into their bedrooms, be shocked by
these images, the live reports.

It is early September, still warm.
When at 5:30 we say there’s bad news,
most think the Queen Mother has died.

Notional Ekphrasis – writing prompt

credit: Nathanjhilton via Pexels – The Lowry, Salford, UK

I’ve just booked a workshop that Cath Drake has organised. She gets top-notch poets and authors. Paul Hetherington is a distinguished scholar and poet. He has published 19 full-length collections of poetry and prose poetry. He has won or been nominated for over 50 national and international awards and competitions.

I have done Zoom workshops with Paul before and am excited at the chance to experiment more with what John Holland calls ‘notional ekphrasis’ – poetry describing artwork that ‘doesn’t exist except in poetry’s own fiction’. Some famous writing, of course, describes art that doesn’t exist, as in Keats’ Ode on a Grecian Urn and Homer’s account of Achilles’ shield in the Iliad.

Here is an early example I wrote. It was commended in the 14th Ware Open Poetry Competition, 2012, and published in the anthology.

credit: Couleur, via Pixabay

Still casting a shadow

Two unused scratch cards, with the faintest whiff of orange. Found on the floor of the Lowry, Salford after a performance of The Love for Three Oranges by Opera North.
Purchased on eBay and donated by J Smith Esq.

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Patina and Pathos. Today’s lecture has been cancelled due (rest of notice torn off)

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Scale drawings and recipe for three-tiered wedding cake: SEX, three wedding cakes in the shape of capital letters S, E and X, with red, white and blue marzipan. Decorated with 24 small edible doves and placed in a French sleigh bed made of walnut.

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Spot the difference competition. Place your feet on the white X on the gallery floor for the best vantage point. Spot the differences between the wax model of an attendant and the live guard (seated). Put your form in the box.

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Bronze box, still casting a shadow, with burnished lid, bronze hinges and clasp, key missing. Age of box indeterminate, size varies daily depending on the swelling and shrinking of contents.

own photo: Anthony Gormley, Ground, exhibition Voorlinden Museum, Wassenaar, 2022.

Writing prompt

1)

You may already have an idea, or even an object in mind. Or you may want to start with some notes or a drawing.

If you’re not sure, you could start with a specific museum as I did, or you can create one.

What does your notional gallery, museum look like? Is it a permanent or temporary building? Is there a garden or roof terrace which displays art?

What is the location: a city or town (real or imagined), or out in nature – dunes, a national park?

Will your work be public art – in or by a well-known building?

What is the ‘notional’ work? Is it a painting, sculpture, drawing, photograph, mixed media, collage, video, made of fabric or knitted?

Is it a single piece or is it composed of hundreds or thousands of items?

Are sounds involved, scent, or movement?

Perhaps, the notional work is out in nature, made of objects found, like in Andy Goldsworthy’s work?

Is the work interactive in some way? Perhaps, you’re there (like Marina Abramović) interacting with visitors?

2)

Is there a form that suits your imagined artwork? Fragments, like my prose poem? In stanzas, as a prose poem, or a concrete poem that uses the shape of your object?