Category Archives: Readings

Wendsday

It’s a great pleasure to introduce this month’s guest poet Matthew Stewart, with three poems from his collection Whatever you do, just don’t. It was published by HappenStance Press to their usual high standards in 2023. The background of the jacket is an old map of Extremadura, Spain. The poem Gostrey Meadow was published in Stand. See below the poems for Matthew’s biography. I admire the attention to detail, precision, and economy of his poems: so much between the lines…

Banana

Come to think of it, she didn’t tell us
who’d got hold of the banana, or how,
and we forgot to ask, stunned by the news
that at ten years old she’d never seen one.

She was still proud her class had raffled it
for the war effort, still slightly mournful
at it turning black on her teacher’s desk
long before they drew the winning ticket.

She wouldn’t talk about gas masks, the Blitz,
the doodlebugs (how they changed to V2s) —
but she always recalled her fury
at the waste of bloody good food.

Wendsday

Halfway through the word and the week,
my pen used to pause and stumble,
tripped up by my eight-year-old tongue

and even now I still delight
in having learned at last to swap
the n and d and add the e.

I stumbled, too, after coming
to Spain. Shook off routines and rules.
Let a new language soak through me.

Two more hassle-packed, tensed-up days
till vino tinto y queso
instead of cod and chips.

Gostrey Meadow

Showing my son round, I notice
a father taking a picture
of his wife and son who’s melted
half an ice cream on his fingers
and the other half on his face.

It’s a copy of a photo
in our album. Same river.
Same heat-laden sky. Same roles.
Same spot on the bank. Same pose.
Our trees were ten feet shorter.

Biography

Matthew Stewart lives between Extremadura in Spain and West Sussex in the South of England. He works in the Spanish wine trade as a blender and exporter. His blog site ‘Rogue Strands’ is a respected source for poetry lovers, and he reviews widely for a range of publications. His first full collection was The Knives of Villalejo (Eyewear, 2017). Before that, there were two pamphlets from HappenStance:
Tasting Notes (2012) and Inventing Truth (2011).

Speak Easy (2)


Speak Easy was formed at Stretford’s Sip Club by Dave Hartley in August 2015 as a spoken word open mic before the team of Andy N, Amanda Nicholson and Steve Smythe joined forces to take it over at the end of 2017. The night moved to Chorlton Cum Hardy’s Dulcimer Bar in August 2020 and has carried on being a welcoming, supportive, friendly and encouraging night since welcome to both experienced and newcomers with all acts given equal opportunity to perform with everybody who reads being headliners.

(See the end of the post for details and links to social media for Speak Easy, Andy N, Amanda Nicholson.)

Andy N

Andy N is the author of 8 full length poetry collections including ‘Return to Kemptown’ and ‘The End of Summer’ and co-runs Chorlton Cum Hardy’s always welcoming Spoken Word Open mic night ‘Speak Easy’. He runs / co-runs Podcasts such as Spoken Label, Cloaked in the Shadows and Storytime with Andy & Amanda and does ambient music under the name of Ocean in a Bottle.

Three x Winter Haiku

Walking in darkness
your front door briefly lights up
in the heavy rain. 
*
Ripping out the trees
lighting hit the forest hard
flooding the river
*
Sleeping in winter
the trees hibernate alone
awaiting for Spring. 

*

Amanda Nicholson


Amanda Nicholson is an author, poet, podcast co-host and copywriter. She has written several books as Amanda Steel, including Ghost of Me. Amanda’s poetry has been broadcast on BBC Radio Manchester. She Has a Creative Writing MA, and has had articles published by Jericho Writers, Reader’s Digest UK, Ask.com, and Authors Publish.

Do All These Labels Make Me Look Fat?
 
Like blank sticky labels pressed to my skin
I write on some myself
While people scribble their own words
Over time, the ink fades on some
and others fall off
The one labelled daughter is half peeled off now
Older labels remain stuck fast
But buried by new labels
So people rarely see
Unless they get close enough
And there is always room for more
Some are like tattoos
Only more painful
And others wash away easily

Links
Speak Easy:
Facebook: https://www.facebook.com/speakeasymanchester
Twitter: https://twitter.com/speakspokenword
Instagram: https://www.instagram.com/speakeasypoetryspokenword/
Recordings of Night: https://andyn.bandcamp.com/

Andy N Poet:
His blog: http://onewriterandhispc.blogspot.com/
His books can be found on Amazon etc.
Ocean in a Bottle is at: oceaninabottle.bandcamp.com
Facebook: https://www.facebook.com/andynstorytellerpoet
Twitter: https://twitter.com/aen1mpo
Instagram: https://www.instagram.com/andynpoet/
Tiktok: https://www.tiktok.com/@andynwriter

Amanda Nicholson

Her blog is: https://amandasteelwriter.wordpress.com/
Facebook: https://www.facebook.com/AmandaSteelWriter
Twitter: https://twitter.com/Amanda_S_Writer
Instagram: https://www.instagram.com/amandasteel37/

Speak Easy (Stephen Smythe)

It’s a pleasure to introduce Stephen Smythe. He has been involved with Speak Easy since it started (at the SIP Club in Stretford) and that’s where we met. The SIP Club closed during the lockdown and Speak Easy then moved online. I was able to take part from my caravan in The Netherlands, along with poets and writers from London and the US and elsewhere.


Stephen Smythe is a Manchester writer who achieved an MA in Creative Writing from Salford University, in 2018. He was shortlisted in the Bridport Prize, Flash Fiction category, in 2017, and was also longlisted for the Bath Flash Fiction Award, in 2018. He won The Bangor Literary Journal FORTY WORDS Competition, in 2022, and was placed third in the Strands International Flash Fiction Competition, in 2021, for his 1000-word story.


His book of forty x forty word stories published by Red Ceilings Press is due out later this year.


Here are two prize winners to give you a taste…

KLEPTO


Bridget took stuff from her work colleagues after they’d gone home. Pens, post-it pads, sweets, even family photos. People suspected her, but couldn’t prove anything. When the company introduced hot desking, Bridget became confused and sometimes stole from herself.

(Winner of the Bangor Literary Journal FORTY WORDS Competition, 2022)

COLD CALL


‘Wait!’ Dad yelled down the phone.
He put his specs on. ‘That’s better, I can hear you now.’
He listened intently, frowned deeply, then hung up.
‘A conservatory?’ He snorted. ‘Your mother would kill me– if she were alive.’

(Second place in the Bangor Literary Journal FORTY WORDS Competition, 2019)

Links to 1000-word stories


Love Your Neighbour


The Fourth P (weebly.com)


Al Pacino of the Welsh Valleys (weebly.com)

Granny (weebly.com)

Poetry
Sommelier 2020 – Janus Literary

The Other (Michael Conley)

The Other has been running in Manchester since January 2016. Michael Conley and Eli Regan organise the event where writers are put in pairs to read and perform each other’s work, with plenty of time beforehand to prepare. It is a fascinating idea.

During the pandemic The Other moved online and I took part in a memorable Zoom session where I was paired up with Adam Farrer. The Other is now ‘live’ again. Dates are on Facebook and Twitter. Sessions also raise funds for Manchester Central Foodbank.

It’s a pleasure introducing Michael and a sample of his writing.

Michael Conley is a poet and prose writer from Manchester. His first prose collection, “Flare and Falter” was published by Splice and longlisted for the 2019 Edge Hill Short Story Prize.  His latest work is a poetry pamphlet published by Nine Pens, called “These Are Not My Dreams…”

At The Park, A Grown Man Has Got His Head Caught In The Railings
 
Possibly somebody loves,
or at some point has loved,
this man. But it’s hard to imagine
right now. It’s hard to imagine
that for most of his life
he hasn’t been stuck 
at this ninety-degree angle,
fists flailing, jeans sagging
at the waist. He’s so angry
with the railings, 
with the soft mud under his boots
and especially with the teenagers
who are laughing at him
from the picnic benches.
 
You could empty a whole tub
of vegetable oil onto his neck
and tug him out by his belt loops
but he wouldn’t thank you for it.
And of course you can’t ask him
what he was trying to do
in the first place.
He doesn’t know 
what his pain looks like
from the outside.   

Website: https://ninepens.co.uk/2022-poets/michael-conley

Poetry in Aldeburgh

Scheveningen, S Hermann/F Richter on Pixabay

On Monday, my journey to the other side of the North Sea involved five different modes of transport: taxi from Aldeburgh to Ipswich, National Express coach to Standsted Airport, Easyjet flight to Schiphol, Intercity to Den Haag Centraal, tram to the flat. All clockwork, no delays. It was dark when I got back home.


Taking part in the ‘live’ Poetry in Aldeburgh Festival has been a joyous experience. The highlight was the reading Our Whole Selves with poet friends. Poet Kathy Pimlott and I wrote several blog pieces about the readings, workshops, performances, open mic. These will soon be on the official website. A big thank you to the small organising team which managed to arrange a wonderful programme.


The poems I read were from my new collection Remembering / Disease, published by Broken Sleep Books last month. I opened my set with Nautical Miles (from my collection Nothing serious, nothing dangerous). When I looked at an old photo, I saw that only Hoek van Holland is ‘less than a hundred’ nautical miles. Good reminder that poetic truth matters more than the accurate facts…

Nautical miles

Outside the Sailors’ Reading Room, the sign:

thin wooden planks, painted white:
Den Helder, IJmuiden, Hoek van Holland.

Across the horizon, they are less than a hundred
nautical miles from Southwold in Suffolk

where the narrow beach of pebbles –
grey, brown, black mostly –

is held together
by couplets of groynes, slimy green.

Both our languages have the word strand.

Note: The Sailors’ Reading Room, Southwold is a Grade II listed building from 1864 and still a refuge for sailors and fishermen.

In Aldeburgh: Poetry

Haibun


Yesterday’s journey: comfortable Eurostar from Rotterdam Centraal, a sit-down at Soho & Co, Liverpool Street Station for food. The unexpected ‘red signal’ at Colchester turned out to be ‘waiting for British Transport Police’. They escorted a couple off the train. Missed connection at Ipswich gives an unexpected hour to mull and ponder. The friendly taxi driver from A2B and warm welcome at The White Lion where the bar is still open.

we smoke fish
open
we catch raw words

Launch of Remembering / Disease

Today is the publication day of my third collection. This evening, starting at 19:30 UK time, there will be a Zoom launch, organised by the publisher, Broken Sleep Books. There is a link on their website to Eventbrite.


Four other poets will also be reading, to launch their pamphlet or collection: Caleb Parkin, Chrissy Williams, Taylor Strickland, and Chris Laoutaris.


The manuscript was awarded a Northern Writers’ Award from New Writing North in June 2020. That raised my spirits during the lockdown. It was a unanimous decision by the Board of Broken Sleep Books to accept the collection for publication. The delicate cover design by Aaron Kent is a great match for the minimalist content.


My poems and I have found at Broken Sleep Books, and I am looking forward very much to the reading this evening.

Travels with my daughter – poem

It’s a great pleasure to introduce this month’s guest poet Mary Chuck. Mary and I first met on a poetry workshop in Manchester and we have met on such workshops many times since, including a splendid one at the Almassera Vella, Spain.

Mary Chuck started writing poetry when she retired after 30 years working in Secondary Schools, starting by teaching chemistry.  While she was working her need to escape and let some-one else do the organising took her on many walking holidays in different parts of the world. She is still an active governor at a local primary school and has just completed twelve years as a Trustee of the Wordsworth Trust. She has been writing poetry with several groups, attending workshops and going on residentials with a variety of poets, but most often with Peter and Ann Sansom at the Poetry Business.

I’ve chosen four poems from Mary’s debut collection Other Worlds (Dempsey & Windle, 2021). Mary will have a belated Zoom launch with two poet friends on Tuesday 23 August. Contact Dempsey & Windle for a link.

Migration

His people came from Russia and Lithuania,
their passports always changing, not because they moved
but because their countries became other countries.

His people were Jews, Ashkenazy Jews.
They came from the East,
driven south and west over centuries
until finally they fled from the Pale.

Long after my grandfather settled in England,
and long before he was naturalised,
he was able, once again, to be Lithuanian.
His mother’s people were White Russians
or maybe they had ten white horses?

My father married out.
Her people were not Jews.

They came from Shropshire,
farmers, and one was a stationmaster.
They were not the chosen people.
Her people were not so interesting.

Jammu-Kashmir

He tells me that his father was Kashmiri
but now he can’t go back and I describe
to him what Srinagar was like
before unrest made it unsafe to go;

I tell him how we only went because
the flight to Leh was cancelled due to clouds,
and how luxurious it was,
staying on house boats on Dal Lake;

how we were shown around the lake and lay
with curtains to protect us from the sun,
on cushions on a wooden boat, a shikara,
and saw the floating gardens there;

tell him how pink the lotus flowers were
and how the Mughal gardens, full of scents
I didn’t recognise, were
different from the spice stalls in the street;

how the couple in one garden, keen to speak
in English, asked me about my life,
how they were sad my family
had not arranged a marriage – then I stopped.

I knew I’d gone on far too long. His eyes
glazed over as he looked beyond me, said
I never knew my dad
I never really wanted to.

Travels with my Daughter

I’m not really sure
when the balance altered,
when I knew for certain
our relationship had changed.

Perhaps somewhere north of Peshawar
after we drove up the Khyber Pass
with an escort carrying a Kalashnikov,
arrogant, in the front seat of the car

and after we bought an alcohol licence
in the hotel, and she flirted
in the swimming pool, with a young man
who claimed he was the brother of Imran Khan

but maybe before the landslide
which closed the road, when she carried
a tiny baby across the rubble, impossible
for its mother wearing a burkha.

We crossed a bridge over a ravine at night,
before the house of the drunken engineer.
She had been talking easily in Urdu to the driver;
we turned and reversed, then advanced

more slowly, about nothing she said
as we jolted across – then on the other side –
He had heard that the bridge was rotten,
but I told him it would be fine.

A well-worn track on Kerridge Ridge

Another glorious Saturday morning
needing to be out, needing to be walking
to be moving rhythmically across the hillside
up to White Nancy, through the kissing gate,
ignoring the brambles, skirting the quarry,
following the well-worn track on the back of Kerridge Ridge
head down muttering to myself long before anyone
might have thought I was phoning
going over and over conversations I have had
or might have had
over and over thinking if only

until, hearing the hint of a cough
I feel warm breath on my face
and lift my head to find myself looking
at a moist, brown, eye
above a large, brass, ring
in the nose of an enormous bull.

I breathe, slowly.
I look around.
It is a glorious Saturday morning.

Changing the clocks

Credit: Brigitte via PIxabay

We moved into wintertime last night. A good time for a poem that mentions clocks. For over 12 years three friends and I met monthly at each other’s houses to write, taking turns to host and find sample poems. This came from one of those sessions. It’s published in the pamphlet A Stolen Hour, Grey Hen Press, 2020. The poem was also Highly Commended in the 2016 Manchester Cathedral poetry competition. It was a privilege to read it during the prize-giving at the cathedral.

A la Hafiz

For just one minute of the day
open all the windows.
Let your mind run alone,
like a foal that has never
known fields without fences.

For just one minute of the day
let your body rest in a place
where other people run past,
so that they have the permission
they need to go and play.

For just one minute of the day
go and sit within sight of a large clock.
Remember how the three hands
are always trying to catch up with each other.
Feel your compassion grow. Be still.

With all the rest of your time
make bread, make beds, make love.
Do what is needed and then close
the windows. You are already
looking upon yourself more as God does.

That summer day – a poem

Dartington Hall, Devon

My friend and poet Kathleen Kummer will have her birthday soon. We have visited the Dartington Estate in Devon several times: to hear the then Poet Laureate Sir Andrew Motion read, to listen to music during the Music Summer School & Festival which was established in 1947. Alwyn Marriage of Oversteps Books invited me to read during the Ways with Words Literary Festival. It was wonderful seeing people out on the lawn, resting in deckchairs, or queuing up to get their book signed by famous authors.

Dartington Hall is a spectacular Grade I listed building. The gardens are grade II listed: a sculpture by Henry Moore, a yew tree that is 1500 years old and a row of sweet chestnut trees believed to be about 400 years old. The gardens are a delight in every season. Here is Kathleen’s poem about the gardens.

The Tiltyard, Dartington Hall Gardens

That summer day

That summer day at Dartington,
everything familiar, beautiful:
the corrugation of the bark
of ancient trees, the sun behind
the scarlet maple leaves, the swathes
of wildflowers in the glades, warm
to the touch the might buttocks
of Henry Moore’s reclining figure,
the bench, its oak smooth, silver,
following the stone wall’s curve,
on which we sat. Unexpected,
the robin landing next to us,
a fledgling, plump, who stayed ten, fifteen
minutes until his mother called him.
And, in the little wave of sadness
which washed over us, because
he looked so young, indivisible
as water is, this swell of happiness.