Tag Archives: Poetry in Aldeburgh

Poetry in Aldeburgh

Scheveningen, S Hermann/F Richter on Pixabay

On Monday, my journey to the other side of the North Sea involved five different modes of transport: taxi from Aldeburgh to Ipswich, National Express coach to Standsted Airport, Easyjet flight to Schiphol, Intercity to Den Haag Centraal, tram to the flat. All clockwork, no delays. It was dark when I got back home.


Taking part in the ‘live’ Poetry in Aldeburgh Festival has been a joyous experience. The highlight was the reading Our Whole Selves with poet friends. Poet Kathy Pimlott and I wrote several blog pieces about the readings, workshops, performances, open mic. These will soon be on the official website. A big thank you to the small organising team which managed to arrange a wonderful programme.


The poems I read were from my new collection Remembering / Disease, published by Broken Sleep Books last month. I opened my set with Nautical Miles (from my collection Nothing serious, nothing dangerous). When I looked at an old photo, I saw that only Hoek van Holland is ‘less than a hundred’ nautical miles. Good reminder that poetic truth matters more than the accurate facts…

Nautical miles

Outside the Sailors’ Reading Room, the sign:

thin wooden planks, painted white:
Den Helder, IJmuiden, Hoek van Holland.

Across the horizon, they are less than a hundred
nautical miles from Southwold in Suffolk

where the narrow beach of pebbles –
grey, brown, black mostly –

is held together
by couplets of groynes, slimy green.

Both our languages have the word strand.

Note: The Sailors’ Reading Room, Southwold is a Grade II listed building from 1864 and still a refuge for sailors and fishermen.

In Aldeburgh: Poetry

Haibun


Yesterday’s journey: comfortable Eurostar from Rotterdam Centraal, a sit-down at Soho & Co, Liverpool Street Station for food. The unexpected ‘red signal’ at Colchester turned out to be ‘waiting for British Transport Police’. They escorted a couple off the train. Missed connection at Ipswich gives an unexpected hour to mull and ponder. The friendly taxi driver from A2B and warm welcome at The White Lion where the bar is still open.

we smoke fish
open
we catch raw words

A Word in Your Ear – guest poet

Alex Josephy

It is a great pleasure to introduce this month’s poet. Alex Josephy and I met last November. We both read at the ‘virtual’ Poetry in Aldeburgh festival, along with poets Sharon Black and Christopher North – all of us with a connection to Europe.

Alex lives in London and Italy. Her collection Naked Since Faversham was published by Pindrop Press in 2020. Other work includes White Roads, poems set in Italy, Paekakariki Press, 2018, and Other Blackbirds, Cinnamon Press, 2016. Her poems have won the McLellan and Battered Moons prizes, and have appeared in magazines and anthologies in the UK and Italy.

As part of the Poetry School Mixed Borders scheme, she has been poet-in-residence at Rainham Hall, Essex, and in Markham Square, London. Alex is a poetry mentor and writes reviews for publications such as Envoi and London Grip. Find out more on her website: http://www.alexjosephy.eu

I have chosen four poems from Naked Since Faversham which show the range of her work. I hope they speak to you, as they did to me.

Grasshopper, Castelvecchio

Stalled between diagonal slats,
you’re a dry hull, ridge-backed

as if whittled from a vine stem,
forelegs splayed to grip the ledge

you’ve chosen for shelter.
Hail made me close the shutters;

that’s when I noticed you, remote
in winter torpor. When I woke

you were still here, a cold wedge
interrupting the light.

Each time I pass I look for you,
imagine how the frost

deepens, fills your hollows;
hear no rasp of song, no longing

for green. Cavalletta, little horse,
I hope we’ll see the spring.

A Word in Your Ear

Cielo, the heaven
of unimportant things:
half an hour together

in the usual bar.
It’s a light still on
when the morning sky

starts to remember blue.
Cielo, just look
at the shape of it:

five strokes, a hasty dot,
slight enough
to skim a canvas

on a brush-tip, watery
peaks and arcs.
That fluent curve –

a sudden smile,
stand-offish verticals,
and then a hug.

A little bite of something
sweet and quick –
cielo, cielo, ce l’ho!

warbles the pastry cook.
His cielo is yeast
that swells the heart

of a brioche, opens
rooms of warm air
in a bread roll.

Going Up

At the door I pause to salute
the white plastic vessel. Press

the panel, cupping a palm
beneath. The blessing flows;

I wring my hands, fold them,
gather a fearful breath, hope

for the best. Together we can fight
infection. Shed what I’ve carried,

invisible on the wheezy bus. This is
a clean hand zone. Trace finger bone

to knuckle, heart line to life line.
Catch a whiff of spirit,

hurry through Reception,
head for the silver lift.

Therapy

Take thistledown, hold it in the bowl
of your palms. Feel it tingle
like Spumante.

No, it can’t mend your heart,
but it will float you to the surface
of your skin.

Each time you long for your child
across the ocean,
find a river

or a canal., worn stone steps
down to the towpath.
Accept

a kingfisher’s quick shot of blue,
a moorhen’s buoyancy;
how easily

they dive, come up somewhere
unexpected, sleeved
in a twist of air.

Poetry in Aldeburgh

Moot Hall, Aldeburgh, Suffolk. Photo in public domain

I’m delighted to be reading at Poetry in Aldeburgh. The reading, called Between Places: Britain and Europe, will take place on Saturday 14 November, 12:00 – 13:00 London time. Also reading will be poets Sharon Black (France), Alex Josephy (Italy) and Christopher North (Spain).

The readings are free to attend. You just need to register at the Poetry in Aldeburgh website, to get a link to the Zoom event. The Festival runs from Friday to Sunday.

I will be reading new work, written in my caravan in the Netherlands during the last six months. When I selected the poems, I came across one which reminded me of “Poetry in the Plague Year”. Jim Bennett of the Poetry Kit set up this project. It’s an international project with contributions from many countries: https://www.poetrykit.org/plague.htm

My short poem, written on 29 March, is below.
 

Credit: marcart via Pixabay

 
Poem
 
CORE i3, a blue laptop,
my lifeline to the world.
How to fill the time until sunset?
 
If he was here…no, he is
someone’s husband now.
The only snow, spiraea in the hedge.
 
All that’s well will end.
My friend Helen emailed
There’ll be a cremation, no ceremony