Category Archives: Writing Prompt

Perfectly eggspressed: Easter brunch

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Credit: Peggy Marco via Pixabay

A great many thanks to my fellow poets who responded splendidly on Facebook to the George Perec ‘e’ challenge. It’s a feast. I hope you enjoy the selection. I send them and you warm Easter greetings.

Steve Smythe:
Send me every gem she ever kept.
Steve Smythe:
Beef, beer, weed: perfect.
Helen Kay:
Helen expects eleven eggs every week. 
Sarah L Dixon:
Every beret fells seven men even when they tend seeds, mend fences, then recede. End.
Steve Smythe:
Best strengthen the steel sheep  pen
Hannah Mackay:
Chew seven spelt seeds. Renew every few weeks.
Steve Smythe:
Feel the breeze; expect red cheeks.
Hilary Robinson:
Send me the new bed, fresh sheet-bedecked.
Janet Sutherland:
She expects her energy ends here.
Barry Fentiman-Hall:
When Ben went there Jen went red.
Sarah J Bryson:
He knew every beech tree grew free, the breeze renewed, endlessly.
Katy Evans-Bush:
She’d never pre-empt these seven, then exempt.
Angi Holden:
Envy the clever shepherd – the twelve speckled sheep he secretly keeps chew where the endless greenery stretches between cherry tree edged beech crescents.
Sue Kindon:
The Beer Fest swells the seventh tent; breezy revellers emerge, three sheets teetered.
Oz Hardwick:
The elect erected dressy needles, yet clerks scythe empty chests.
Pam Thompson:
We’re held, spent – thresh sleep/speech event, feel stress.
Rachel Davies:
When we’re elderly trekkers the knees need rest
Sarah Mnatzaganian:
Eyes drench every element when they weep.
Stephen Payne:
He prefers terser sentences.
Vanessa Lampert:
Yes the egg never left me, yes the elf then wept, even better, he grew mettle greener, severed the tree then tweeted the red hedge news.
Sally Evans:
she emerges even when she expects endless reverses.

Credit: Peggy Marco via Pixabay



By way of bonus, here is poet Rod Whitworth’s contribution – using only ‘i’ and ‘y’.


I

I mind (with liking) this child
imbibing milk.
Lit with infinity,
it insists it is big.
Bit by bit — spiting
my might, my right —
it fights my will.

I find sticks in bins
igniting nightly,
kindling my
illicit still.
Timing it by twilight
I skip by drinking
whisky, singing
in high winds, rhyming,
rhythmic. By limp light
I’m writing mythic signs
my child might find
inspiring. I sigh.

Georges Perec and the ‘e’ – writing prompt

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I discovered a book programme on Dutch TV. It’s called Brommeropzee (mopedonsea) after a Dutch short story. There are two presenters. Based on my brief observation, I would say: she is E for Empathy, he is E for Ego.

One item was an interview with Guido van de Wiel. He has previously translated Perec’s 1969 novel La Disparation (A Void) into Dutch – see the cover. Like the original, the text does not include a single vowel ‘e’.


In 1972 Perec published a companion piece Les Revenentes (The Exeter Text). In the interview Guido showed long lists of words containing only the vowel ‘e’. He has worked on this translation on-and-off for 12 years. The translation follows the original in form (lipogram) and content.


Brommeropzee issued a challenge to viewers: compose a coherent sentence of at least 10 and at most 30 words, using any consonant, but only the vowel ‘e’. Here is my sentence: De beleefde kreeft heeft even geleden en elders negeert de kwelder de heen-en-weer regen.


Translated: The polite lobster has suffered briefly and elsewhere the salt marsh ignores the to-and-fro rain. There are no rhyming sounds as in my Dutch original, but you get the flavour.


If you like a challenge, compose a (decent) sentence of words using only the vowel ‘e’ and send them to me via the Contact page. I’ll publish a selection in a few weeks.

Trying – writing prompt

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Madingley Hall, near Cambridge

Yesterday I talked with friends about Cambridge. That brought back memories of a one-week workshop at Madingley Hall with the poet Lawrence Sail. Madingley Hall is a 16th Century building just a few miles from Cambridge. It is set in seven acres of splendid gardens and grounds, designed by the famous Capability Brown in the 18th Century.The weather was good the week I was there and we would all find a quiet corner outside and get writing.

Credit: Pasja1000 via Pixabay

Writing prompt

One of the exercises was about personification. We mentally went through the alphabet and stopped at a letter that resonated with us. What kind of life does that letter have? What do they want and what is difficult for them?

The poem Trying was published in my debut Another life (Oversteps Books Ltd, 2016).

Trying

Trying not to be like
one who has gone before.
Allocated a slot
at the back of the queue:
a circle dancer with a club foot.

Striving to become
the symbol of perfection.
Dragging a tail,
leaving tiny furrows
on the rough terrain.

Trying then to hide
in foreign places.
Archaic words spoken with a twang:
Qua, quorum, quota, quasi.

A cold place they tell me.
Quebec.

Blossoming and Abundance – poetry, writing prompt

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Credit: Watercolour by Prawny on PIxabay

The 10th edition of Poëzieweek (Poetry Week) has just ended. Over 120 activities happened in The Netherlands and Vlaanderen (the Northern, Dutch-speaking part of Belgium). Some of these will continue during the year.


The theme this time was Nature. During any year there are a several ‘book’ weeks in The Netherlands and readers can claim a free book when they purchase up to a given amount. As poetry books are expensive here, the sum of Euro 12,50 was easily reached!

The Dutch-Palestinian author and actor Ramsey Nasr was commissioned to write the poetry gift this year. He is well-known, as he was the Dichter des Vaderlands (the unofficial title for poet laureate) during 2009 – 2012.


The pamphlet with 10 poems is well produced on quality paper. It’s based on the hundreds of letters Van Gogh wrote from his youth until his death in 1890. Under the motto Blossoming and Abundance, the poet has selected and re-arranged Van Gogh’s words. The two blue horizontal lines on the cover indicate caesuras. These return in the text as thin blue vertical lines, showing where Nasr has deleted a word or several phrases from the original text.


I love how Ramsey Nasr has distilled the essence of Van Gogh. It is a very interesting way of using found material. Here are my translations of a few parts of some of his poems.


(3)
let us | find a task
that forces us to quietly | sit
busy with work that is simpler
than | tasks that | are useful

(4)

i am no better than another |
am not like a street pump | from stone | or iron |

(6)

i send you | the night |
the moon | cypresses |

(5)

it cannot | remain like it is now |
burn rather than choke |
a door must be open or closed
something in-between i do not understand

(10)

the mediterranean has a colour like | mackerel |
you don’t know | if it is green or purple
you don’t know | if it is blue for a second later
the constantly changing reflection has
taken on a pink or grey tinge |

Miniature French Suite – writing prompt

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Credit: fsHH on Pixabay

It’s a rainy weekend here in Holland. So, I’m writing the blog piece for this month’s guest poet: Steve Waling. That reminds me of this poem which I wrote on a short workshop with Steve. And it was in January 2011 that I heard the countertenor Andreas Scholl sing in the Bridgewater Hall in Manchester, UK. It’s such an experience seeing and hearing your heroes live!

Writing prompt: Combining a place and the music you (might) have heard there. Or, you could use write a miniature suite, like I did. Or, the end of the poem could come back full-circle to the beginning.

Miniature French Suite

Allemande

Do you mind if I borrow your man?
The old one with the beard that has
sparrows nesting in it. It’s only
for the Open Gardens weekend.
He needs to wear something
beige-brown, corduroy and I’ll
provide food. Tell him to wear
a cap or a southwester – something
to keep the fledglings dry.
He can hum to them. It might rain,
it could snow, warm boots.
Rameau or Telemann, I don’t mind.

Sarabande

Rameau or Telemann, I don’t mind.
A countertenor can’t be that choosy.
A voice like that is a rare find
but keeping it alive and strong taxes
me and my agent, bless her.
She tells me to let go of worries
and fears. It’s her domain to get
me engagements, book flights,
the new portrait and such.
She says a voice like mine is a horse,
that needs to be whispered to,
not broken in.

ErikTanghe on Pixabay

Gigue

I’m warming up in an empty church,
on a grey Sunday afternoon.
It’s winter, the radiators gurgle,
the conductor is late.
I let my eyes wander in order
to keep my thoughts at rest
but now they take flight,
filling the gallery, the arches
and the painting of the old one
with the beard that has
sparrows nesting in it.

(published in Another life, Oversteps Books, 2016)

Gratitude and Forgiveness … writing prompt

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Happy New Year to you all.

Twice a year, early July, on or close to my birthday, and on New Year’s Eve, I sit down and write a gratitude list. Being alive and kicking: always the first item. It’s a practice I got from the classic Creative Visualization by Shakti Gawain. I have the 1982 Bantam edition, with that special yellowing-pages smell.

The Dutch couple below made the paper. Most days they put a gratitude note in a glass jar. On NYE with a glass of wine and music in the background, they take items out and read them to each other. Of course, it’s often the small things: the colleague who did your work when you were ill, a kind note from someone when you needed it, a hug, waking up with a body that’s just doing its job, a walk in the forest. Ah yes, that was a special moment they say to each other.

Two more things I am grateful for are the acceptance by Broken Sleep Books of the manuscript Remembering / Disease. Here are the names of other poets and writers with a book out with BSB this year.

Matthew Stewart publishes an annual list of Best UK Poetry Blogs on his site Rogue Strands. I was chuffed that this blog is one of five ‘top notch newcomers’. You can read the full list here. Matthew lives between Extremadura, Spain and West Sussex. His collection, The Knives of Villalejo, is published with Eyewear and a recent Poetry News Book of the Year selection.

Here are two short prompts. In the current issue (27) of the online poetry magazine Allegro, editor Sally Long, the opening stanza of the poem by John Grey caught my eye. For Gratitude I’ve chosen the opening stanza of Joy Harjo’s poem Perhaps the World Ends Here.

Forgiveness

The woman with the forgiveness
is out there in the world somewhere.

Gratitude

The world begins at a kitchen table. No matter what, we must eat to live.

Adopt a Christmas tree – writing prompt

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Adopteer een Kerstboom


This week I saw a feature on tv about various adoption schemes here in The Netherlands. One of those, Adopteer een Kerstboom, now has 3,000 people who have adopted a Christmas tree. There is a waiting list: it takes five years for a tree to be tall and big enough for adoption. Each tree carries a metal tag with a number, so that the adopters know it’s their tree. Many people have given their tree a name. They pay a small deposit on collection in November from one of 13 locations, and trees are returned in January when they are planted back in their slot. The fee goes up a little each year the taller the trees get.


I think it’s a great scheme! Season’s Greetings to you all. Thank you for following my blog and for your comments. A short seasonal poem:

I’ve never been to that desert island
though the removal firm sends me
a bill each month for the books I left there.
I’ve never been to Iceland for that green light,
nor Lapland for those dogs and sledges,
but I have kissed Father Christmas.

Writing Prompt 1: a six-line poem that includes, in different lines, an animal, a country, a place in nature, a concrete object (like my book).

Writing Prompt 2: What name would you give your adopted Christmas tree? Write a short ode to Julian or Emily, or ….

W G Sebald -writing prompt

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This week it is 20 years since the writer W G (Max) Sebald died, aged 57.
Propolis, the publishing arm of Norwich-based The Book Hive, published Ariadne’s Thread: In Memory of W G Sebald (2014). This memoir was written by Philippa Comber. She met Sebald in 1981 in Norwich where they both lived. They hit it off and became friends.


Philippa and I met in Manchester late 2004 at a series of poetry workshops and we hit it off too: both practising psychotherapists with several shared interests. I remember Philippa telling me she was planning a visit to the German museum dedicated to Sebald to read the letters that she had sent him over the years.


Sebald died in a road-traffic accident near Norwich. According to the coroner’s report, he had died of a heart attack before colliding with a lorry. Memory, loss of memory, decay, exile are the main themes of his books with their unique blend of fact, recollection, and fiction.

Writing Prompt: My poem is in 14 lines. Yours can be shorter. Do include ‘I do know’ and ‘I don’t know’ at least twice in each stanza.

Knowing and not knowing

I know I mustn’t eat grapefruit as it interferes
with the effect of the medication. I don’t need to know
the Table of Chemical Elements, though I do know
that a few elements have recently been added and
Rutherfordium is one of them.

I know and remember the view of the Wash and the silver
ribbon of the Broads as the plane turns. I don’t know
the names of narrowboats and yachts, but I do know
that the beach huts in Wells-next-the-Sea are on stilts.

I know someone who was a good friend of W G Sebald
and that her letters to Max are archived in a museum
near Stuttgart. I know where I was when I heard on
the radio that Sebald had died: the A17 heading for Norwich,
just before a round-about.

On the bright side, there’s always – writing prompt

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Credit: Geralt via Pixabay

This week I’ve been going through my files and folders with poems, deleting old ones that aren’t going anywhere, finding forgotten ones, losing others because I changed the title but not the filename – you get my drift.

Prompt: Here’s a sort-of-abecedarian list poem. What would be in your alphabet?

On the bright side, there’s always:

avocados and the alphabet, a
bridge over troubled water and
chocolate, Fairtrade or not,
days which travel at their own pace into
evening and other
favourite places like Venice, beaches, the
glorious counter tenor voice of Andreas Scholl,
hairdressers who waited for us,
ink to waste, as the poet has it,
jazz, all that jazz,
kilograms to worry about,
lessons that return until learned,
maria, martini, marina,
nautical miles and naughty but nice.
Oh, let’s stop, there is a
picnic bench with a view, think of
questions, the certainty of death, taxes,
rescuers in anoraks, accompanied by
sniffer dogs, so we’re fit again to
tango, show us a leg or two,
uniformed bouncers taking them off,
victory which will be ours and
whiskey or gin, double measures, that
xtra mile we will go.
Y, the fork in the road and Frost.
ZZZ, a comfy bed for a rest.

Table 64 – writing prompt

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Credit: Pexels on Pixabay

This week my friend Valerie celebrated her birthday. We met 30 years ago on a residential week in Spain. To celebrate our friendship, here is a short poem in which we’re together. Bowler’s is a very large indoor and outdoor carboot sale location in Manchester.


That Generation Game is a tv game show in which teams of two family members, but from a different generation compete. The winners see a conveyor belt with goodies wobble past. No worries: if they can’t remember them all, the studio audience will shout to help …

Table 64

We carried the plastic crates and cardboard
boxes into Bowlers at bloody six o’clock.
The locusts, proper traders, picked items
from the piles we carried, threw us
pound coins and a few fivers.

The early flurry was good and then it was
like the Generation Game in reverse:
suitcases went, a pile of books, glasses,
a wok, costume jewellery, some cuddly toys.
We sat back in our folding chairs like regulars,
holding off sleep.

Writing Prompt: Did you do a car boot sale with a friend? Were you a market trader (for real or in your dreams)? Did you go to an auction of lost property? What is the object that you lost or found?