Category Archives: Writing Prompt

Books, books, books…

World Book Day is on the 23rd of April. In the UK it takes place on the 2nd of March to avoid clashes with spring school holidays and St. Georges’ Day.


A fellow poet introduced me to the American poet Ted Kooser, now in his early 80s. His style is accomplished, yet extremely simple. My current bedtime reading is his poetry collection Winter Morning Walks: one hundred postcards to Jim Harrison (Carnegie Mellon University Press, 2001).


In the late 90s Kooser developed cancer. He gave up his insurance job and writing. When he began to write again, it was to paste daily poems on postcards he sent to his friend and fellow writer Jim Harrison. In the preface, Kooser tells us ‘I began to take a two-mile walk each morning. I’d been told by my radiation oncologist to stay out of the sun for a year because of skin sensitivity, so I exercised before dawn, hiking the isolated country roads near where I live.’ These country roads are in Nebraska.


The poems cover a period from 9 November until 20 March. In the poems Kooser doesn’t directly talk about the illness. He does so through metaphor. All the poems include a brief description of the weather. The clear and precise observation gives them a haiku quality.


Here is his postcard for march 5:

Very windy and cold.


A flock of robins bobs in the top
of a wind-tossed tree,
with every robin facing north
and the sky flying into their faces.
But this is not straightforwardness,
nor is it courage, nor an example
of purpose and direction
against insurmountable odds.
They perch like this
to keep their feathers smooth.

The price of cauliflowers

Credit: Pixaline via Pixabay

I’m not keen on them, so I’m not buying now they’re 4 Euro each. Dutch growers have kept their glasshouses empty because of the cost of gas and electricity. I was lucky, though, to be accepted as a patient by a GP practice in the town I moved to. Lucky also that my journey to the implantologist involves two trams: there were strikes again on regional buses last week.


This poem, from a recent workshop, is a snapshot of life in The Netherlands.

Word jij onze nieuwe collega?

Outside every restaurant and café two blackboards:
one with a menu, the other asking for a sous-chef,
a washer-upper, or bar staff.
Freek van Os, the expensive plumbing business
is even renting lit-up space by the side
of a bus shelter. They need a planner,
and also have two technical vacancies.
Manda, my hairdresser, had found
a 42-year-old Afghan woman, single parent,
career-changer. When I came in a month later,
she’d changed her mind. Legal cases are abandoned,
judges are dead or retiring. As are many GP’s.
They’re not signing the new contracts, anyway.
Not much the government or the insurers can do.
People want to work fewer hours, it’s said, not more.

Valentine’s Day

Credit: Megan_Barling via Pixabay

This coming Tuesday it’s Valentine’s Day. Here is an early poem that hasn’t featured on the blog before. It was published in the Tees Valley Writer, Autumn 1995, and Highly Commended in their annual competition.

On the beach

Against the sinking sun gulls ride the waves.
Our dogs bark and chase their tails.
Try to run with a lone jogger who braves

the east wind whistling. Your son trails
in your wake, attempts big steps. Laughter peals:
a scene lifted straight from some fairy tale.

Heaped grey boulders mimic a colony of seals.
Not long before love winters in my heart.
I need to tell you how it feels

to be together, yet growing apart.
Your craggy face seems so much older
clouded in a bluish hue. I brace myself to start

as you place a hand on my shoulder
but all I can say is It’s getting colder.

Friendship

Friendship is the theme of this year’s Poetry Week, celebrated in The Netherlands and the Flemish-speaking part of Belgium through 400+ events. It starts on Thursday 26 January. Miriam Van Hee (B) and Hester Knibbe (NL), two poets who have been friends for almost 40 years were commissioned to write five poems each for a book. In a recent interview they said that trust and curiosity are key elements for a friendship to endure and last.

Anyone who spends over 12,50 Euro on poetry books during Poetry Week will be given a copy. It’s not hard to spend that sort of money, as poetry books are expensive in The Netherlands!

Here is my poem on the theme of friendship: memories of a long weekend in Vienna in 1994.

Vienna

I would gladly return,
walk with Wendy through
the rain to the museum,
see the Hunters on the Hill –
tired, wet dogs, in the Little Ice Age
when frozen birds fell from the sky.

I would gladly go back there,
view grey buildings slide past,
hear the clanging bell.
Schwedenplatz, umsteigen.
A trolley bus securely attached
to the two lines above.

Above Redmires – guest poet

The poems of James (Jim) Caruth have featured on the blog before. Here is the link. Last year his new collection, Speechless at Inch, was published by smith/doorstop. It was shortlisted for The Derek Walcott Poetry Prize 2023.

The striking cover image is of Janet Mullarney’s The Straight and Narrow. Made in 1991 of painted wood, it measures 228 x 320 x 137 cm. It’s in the collection of the Irish Museum of Modern Art.

Here is a seasonal poem from Speechless at Inch:

Above Redmires

It was mid-December, a back road
through the low hills that nurse
the city’s northern edge, when I came upon

a flock of black-faced ewes
crowded in a corner of a field,
a squeeze of tattered wool and clouded breath.

I stopped the car to look around,
searching for a dog slipped the leash
or a fox tasting the air along the hedgerows

but as far as I could see
there was no other living thing
between those frightened sheep and me.

Biography

James Caruth was born in Belfast but has lived in Sheffield for over thirty years. He has had several pamphlets and a collection published: A Stone’s Throw (Staple Press, 2007), Marking the Lambs (Smith/Doorstop, 2012), The Death of Narrative (Smith/Doorstop, 2014) and Narrow Water (Poetry Salzburg, 2017).

Winter Sun Speaks – guest poet

I am delighted to feature the poem Winter Sun Speaks by Maggie Reed. We first met on a residential workshop several years ago. The picture of winter sun is also by Maggie.

Winter Sun Speaks

I birth my cry through cloud layers
push my weight low over the southern horizon,
strident, desperate, slanting over the hills
forking through trees, splintering ice.
I blind drivers on the school run.

How I ache for summer skies, to leap and arch
over the earth, spread light, energy and love.

But for now my shriek, my low level beam, insists
my right for the few hours I’m allowed
to crisp up these dark winter days.

Biography:

Maggie Reed lives in the Malvern Hills, Worcestershire, having spent much of her life in Cumbria. Her current collection Let Small Wings Fly was self-published in 2021 to accompany the Arts Council funded travelling art exhibition ‘Mappa Marches’ that visited libraries and art centres across Herefordshire throughout 2022.

She has been published in several journals, including The North, Orbis, Poetry Birmingham, Pennine Platform, Three Drops from a Cauldron and Poetry Village, and has been included in anthologies such as This Place I Know (Handstand Press, 2018), Places of Poetry (One World, 2019), When All This is Over (Calder Valley Poetry, 2020), Poetry of Worcestershire (Offas Press, 2019) and In the Sticks (Offas Press, 2021). She won the Poem and a Pint competition (judge, Carrie Etter) in 2019.

Crab Snowglobe – guest poet

Credit: Kurious via PIxabay

Each Sunday in December there will be seasonal poems on the blog. For a few years I lived in the Withington area of Manchester, so I recognised the shop mentioned in Annie Muir’s poem. It’s from her pamphlet New Year’s Eve, published by Broken Sleep Books in 2021.

Crab Snowglobe

Thrown in with shoelaces and paracetamol,
a souvenir from Copson Street pound shop –

this rusty orange crab on a rock
with specks of glitter resting

in every nook and cranny.
Around the base there are footprints in sand

and another, smaller crab,
exactly alike except I can touch it.

Inside your hard, glass globe
you seem to be in some other dimension

like the reflection in a mirror,
or memory.

Either dormant or ecstatic –
when I shake you up

it is for a moment New Year’s Eve,
your pincers grasping to catch the confetti

that floats around your head
in kaleidoscope slow motion.

Then, when each piece has fallen, you wait
for something else to happen.

Biography


Annie Muir lives in Glasgow. Her debut pamphlet New Year’s Eve was published by Broken Sleep Books. Pre-pandemic she handed out poems on the street outside local libraries, and she has a podcast – Time for one Poem – aimed at complete beginners to poetry.
@time41poem

I’m for the art of last war’s raincoats


Another quote from Claes Oldenburg’s famous Ode to Possibilities ‘I’m for …’ from 1961. It reads like a long list poem. Oldenburg said it was a statement, not a manifesto.

Risham Syed, The Tent of Darius

My poem Wearable Narratives, from my second collection, Nothing serious, nothing dangerous, published by Indigo Dreams in 2019, is in two parts. The poem was inspired by art in the Manchester Art Gallery. Last week I posted part i (Scarf).


The Tent of Darius, an installation from 2009, is a complex work by the Lahore-based Risham Syed. It consists of five embroidered vintage European Army Coats with a small painting. This is a copy, painted by her, of the Charles Le Brun work of the same name.
Syed describes her inspiration for it:


“I imagined these five coats to have travelled all over the world, with women having contributed to them by adding a piece of embroidery. They are like these tired, old worn-out soldiers who have dreamt of coming back home. On the one hand, they symbolize the imperial power, but on the other hand, there is another aspect to this work; how soldiers from the colonies were made to fight for the Imperial powers. It’s true for any army including the Pakistan army, where most soldiers are from Jehlum, Potowar region, from poor, lower middle-class families and end up with the army because of their physique/tradition, in the hope of making a romantic/glamorous career. This work, compares the romance/glamor to the actual reality of war, the aim of it and the beneficiaries of it. I juxtapose the embroidered coats with an ‘Oriental’ painting called The Tent of Darius, a seventeenth-century painting by Charles Le Brun that provides the title for the installation. In it, the Queen of Persia bows to Alexander the Great who has conquered the land. It serves as a metaphor for the West making incisions in the East.”

I was very moved by the sight of these five coats and the details of the embroideries which inspired the last stanza.

The tent of Darius

The ornate faux-Chinese frame holds
a cropped copy on acrylic:
The Queen of Persia
draped at the feet of Alexander.

Below, an array of five overcoats,
donated by European soldiers,
appliquéd and embroidered
by women’s hands.

Under the lapel, a stilled windmill,
peach-coloured vanes.
A green tree above a button hole.
Death comes like blue geese.

I am for an art that helps old ladies across the street

Oldenburg in 1970 with Giant Toothpaste (1964)

So said Claes Oldenburg and he said a lot more like it, such as ‘I’m for art that flaps like a flag, or helps blow noses like a handkerchief’. Oldenburg said that his famous 1961 Ode to Possibilities, ‘I am for …’ was a statement, not a manifesto. It’s a fantastic read, a long list poem that works well as a writing prompt. Here is the link.


Swedish-born Oldenburg, one of the founding fathers of Pop Art died July this year at the age of 93. He was famous for his monumental sculptures where mundane objects (matches, clothes peg, apple core) suddenly became larger than life.

My poem Wearable Narratives (from the collection Nothing serious, nothing dangerous) is in two parts. Here is part i. It was inspired by a pure silk scarf, made by Andrea Zapp, that was on display in the shop of Manchester Art Gallery. At that time, I didn’t have a smartphone. So, here is a picture of other scarves, made by Andrea Zapp. See the note below for more information about her amazing work.

Scarf

A turquoise ribbon runs under khaki stepping stones.
Tomatoes are the red carpet. Slanting shadows
pull the empty staircase under water. Its fine metal
tracery anchors a washing line with checked tea towel.

Cold marble columns, bleached shutters closed.
Almost out of sight wooden farming implements,
a clock stopped at ten to eleven, a car hubcap.

Everything here is at an angle now.
What survives are the chalk drawings:
a cheerful elephant, the ibis and another bird,
its round black eye like a spinning top.

Note:

Andrea Zapp, born in Germany, living in Manchester, pioneered in coalescing her digital media art background with the fashion industry. Andrea has created the luxury fashion brand AZ.andreazapp. This sells high quality silk dresses and scarves printed with her own photography of urban views, rural panoramas, miniature scenarios and objects of culture and curiosity, creating a collection of stunning authentic hand-made garments.

National Apple Day – poem

Credit: Congerdesign via Pixabay


National Apple Day falls on the 21st of October. It was created in the UK by the charity Common Ground in Covent Garden, London on 21 October 1990 to raise awareness about the importance of diversity in different communities. Apparently, there are about 7,500 varieties of apple grown globally. In my local Hoogvliet supermarket I can find six: Kanzi, Pink Lady, Golden Delicious, Granny Smith, Royal Gala and Jazz.

Celebrations take place in the UK throughout October, so go to a fair, take part in an apple peeling contest, bake or eat an apple pie. Here in the Netherlands, traditional Appeltaart always has a good dose of warm spices – cinnamon, ginger, nutmeg. They are baked in a spring form and have a lattice crust. I will have mine with a good dollop of sweet whipped cream, thank you.


My poem is somewhat melancholy. It has the feel of a tanka – the first three lines giving a description, with emotion and reflection in the last two lines.

carefully quartering
soft red apples
into a compostable bag –
I still wait for the letter
that will never come