It’s a pleasure to introduce this month’s guest poet Jon Miller. We met some years ago on a poetry workshop. His biography is at the end of the post.
Jon was winner of The Poetry Business International Book and Pamphlet Award 2022 and his latest pamphlet Past Tense Future Imperfect (2023) is published by Smith|Doorstop from which these three poems are taken.
They Made A Crime Series Here
We are miles off Hringvegur, American satnav garbling
‘Fjardarheidi’: a high pass, a blizzard shreds the windscreen,
then down to Seydisfjordur, where the road stubs itself out
against the fjord; like us, it has given up fighting the inevitable.
Past the fish factory, its yellow flag cracking the wind.
Corrugated sheds, oil tanks. Houses stare into themselves.
This town has let out all its breath, waits to take another
next century. For the lonely, binoculars stand on windowsills.
A thought bubble: Stay low. The world is not your lobster.
Tie everything down. Run for port. A beard hides a lot of guilt.
Picnic benches crouch like crabs at car parks and supermarkets;
husbands keep engines running in case wives make a break for it.
A camper van – rented – drifts by, turns down the wrong road,
bikes shrouded in grey, a child’s face at the window.
Beside the filling station three farmers lean into a trailer,
debate the efficacy of bladed implements. One looks up.
Nothing connects until everything does. We have tickets,
drive into the ferry, its belly, its deep machine hum, extras no longer.
Lost Child
Not the brazen trumpeters
or the flittering sailboats
or in the minds of mariners
with their white-washed eyes
is there a button of hope.
Neither in the small boys roaming
the fogged avenues
called home for tea
returning with birds’ nests
and the ruins of puberty.
You become a twitch
in the fingertips of newscasters
or out here where it happened
the midnight click of the latch
the song in the five-barred gate.
This Way to the Observation Lounge
Out through the placid archipelagos they go
at ease in their daylit aquarium
moving over water at the pace of a slow car.
The sea is flat on its back. The flag barely mutters
at the mast. All are hypnotised by empty sea and sky,
by the line where nothing meets.
They have left the world to turn without them.
and sit with hands clasped in laps
as if listening to a sermon on vacancy.
Asleep, they twitch to escape their clothes.
They know themselves the way the blind
feel what they cannot see.
I could tuck in chins, settle a head on its neck,
retrieve dropped novels, while their eyes read dreams
the way an unborn child pushes against its mother’s belly.
They are at rest. Someone is on the bridge.
Over the horizon is harbour. Weather is busy somewhere else.
Who they are has fallen away like rain over islands.
Biography
Jon Miller lives near Ullapool in the Scottish Highlands and has had poetry published in a wide range of literary magazines as well as being a contributor of book and exhibition reviews and literary journalism. He formerly editor of Northwords Now, a magazine featuring writing from the north of Scotland. He was short-listed for the Wigtown Poetry Prize in 2021 and awarded joint First Place in the Neil Gunn Poetry Competition 2022.
Acacia Publications 