Tag Archives: Poetry

Drying her prayers – guest poet

Kasane

DRYING HER PRAYERS

As the rains of spring
Fall, day after day, so I
Fare on through time
While by the fence the grasses grow
And green spreads everywhere.

                           Izumi Shikibu (late 10th C)

Mother, you are hanging out prayers on the willow
but the ink hasn’t dried;
little flies scenting sweet gum embellish
your latest calligraphy.

I breathe on my hands, it is March,
My fingers are white as bamboo.
On the bridge, I hear the sisterly
slop of our sandals, still wait

for the god, hiding behind our gate,
to give chase, tap me on the shoulder,
offer a pale green scroll
with your name written there, words

golden, scattered like pollen.

 

This is a poem from Parting the Ghosts of Salt, a sequence of 15 poems. They are a series of letters exchanged between a mother, Tamiko, and daughter, Kasane, both of whom are married to sumo wrestlers. Each poem starts with a striking quote, from medieval and modern Japanese poetry. All the poems are entirely imagined, but they ring true. And it’s an interesting form.

Pam Thompson

Pam Thompson, this month’s featured poet, has published several pamphlets and her second collection Strange Fashion was published by Pindrop Press last year. Pam and I met on the Poetry Business Writing School in 2012. Pam has recently completed her PhD in Creative Writing. She is a free-lance writer, lecturer, writing tutor and reviewer. Her poems travel widely. There may be humour, but this is always combined with a clear eye for the telling detail and with compassion. Pam blogs at https://pamthompsonpoetry.com

Near Heaven – a journalist encountering Virginia Woolf is at once surreal, humorous and poignant. In the Abecedarian for Liam Pam uses the form – which can be tricky – in a natural way to tell a family story rich with detail.

 
Near Heaven

The lift doors open
on the wrong floor but she’s perfectly cheery.
Ms Woolf, I begin,
and she gives me that haughty, beady-eyed stare
like an intelligent red setter,
What is it you’re reading?
She pats a huge leather holdall,
her voice trails, … Of course … in my day we …
and sunsets … Eliot, with his green-powdered face
smiled like a girl
She’s drifted off my point.

To bring her back I say
that what the reader wants is
your favourite pen, coffee or red wine.
Your top ten diary writing tips,
what to do when the novel gets stuck.

At this rate we’ll never make the launch
The Wings? Waving at the Lighthouse?
These days I never even read the press release,
just take along fizz, their favourite fags
or something stronger; usually they’ll give
me all I want, sometimes a little extra.

So, Ms Woolf, the most dangerous place you’ve ever …?

I’m thinking she’s not heard the question
when our lift bell dings –
This must be your party, dear, she says, in the voice of my mother
and there they are, uncles, aunts, my father, all my cats,
two hamsters,
and I’m about to greet them, waving fizz, posh ciggies.

A hiss of words …a Schaeffercoffee … then fainter,
write before breakfast, garden, then write again,
take a little float down the river

the river

then she presses the button, the doors close, she ascends.

 
Abecedarian for Liam

All those years you had blonde hair –
back in Hong Kong they considered it lucky.
Cake in a posh hotel, you were six, born in the Year of the
Dragon, old people touched your hair, no inhibitions,
even when we were at your side, you were golden, a charm
for locals. Remember how you wondered if the Sikh doorman was
God? The photo shows him laughing, me
helping you blow out your candles,
I hope I made you wish, then you and the other kids
jumped all over the beds and the settee in our room,
Kowloon was a day or so away, and getting
lost, both of you so little – Derry only three – to be
meandering along the wrong road, away from the lights, with
Nanna too, Derry tired and crying, I was crying inside but kept
on pretending, and I’ve blanked it, but Henry
probably got us out of it, then the day we
queued for the tram to Victoria Peak and I’ve just
remembered Stanley, the shanty town we all mentally
stepped over, physically routed ourselves around,
the tee-shirts painted with your name in kanji,
up late eating Pringles, on a speedboat with Derry, Rosie and Lisa,
visiting a Shinto temple, posing outside with Nanna,
with Tom and Fauna, your favourite smoked salmon, scrambled eggs,
Xmas breakfast with champagne, and I could lie to
you when I’m telling you twenty-one years later, that the
zoo trip was on Boxing Day when I think that was the speedboat.

Seven ways of dealing with rejection

This year I have been sending far more poems out and so it follows logically that more will be rejected. Of course, more will be accepted by magazines and successful in competitions. That’s all about “hit rates”. So far this year, ten poems have been published or accepted for publication – anthologies, magazines, competition anthologies.

But the rejections sting. The other day there was a terse two-line email from a magazine: Not what we’re looking for at the moment. Contrast that with the editors of Strix. The magazine was nominated for the prestigious Saboteur award: more sales, more submissions. They went to the trouble of sending separate emails to the people whose work had been shortlisted for issue 4. From 926 pieces submitted, 44 were shortlisted. I had made it that far and it was good to know.

Reframe

Before I retrained as a psychotherapist, I worked in various consultancies. A rejection was always reframed as getting closer to an acceptance. We needed reminding that a day of paid work typically went with two or three days of unpaid work: marketing, PR, admin, training and development, travelling, etc.

My poems are “tied up” when they are out with editors and competition judges and “free” when they’ve not been chosen.

Keep things moving and don’t fret

I have a simple Word table with poems in alphabetical order, a To Do list with details of magazines and their submission windows, and a list of magazines that are new to me. I also have an A4 folder that holds competition leaflets in plastic wallets, organised according to deadlines.

As soon as I know that a poem is “free”, I make the decision as to where it will go next. I aim to send it out within one or two days. Many submissions now are by email or the Submittable portal, so it’s easy.

Yes, I allow myself a bit of a moan in my diary, but that’s in a separate room from where I write.

Persistence

All the research on what makes for successful Sales people quote the P-word. Zen and the Art of Motorcycle Maintenance clocked up 121 rejections and Chicken Soup for the Soul was rejected 144 times. The American poet William Stafford wrote a poem a day for many years. Apparently, he had a hit rate of 1 : 7, so that’s a poem a week.

Compare yourself with yourself, not with others

Many years ago I read some very interesting NLP (Neuro-Linguistic Programming) research. Modelling has always been at the heart of NLP. What is that successful people do? What are their attitudes, values, beliefs? What do they say to themselves?

This research looked at sportspeople who had been seriously injured (during practice, performance, or outside of their sport, e.g. traffic accident). The group examined were those who after their operations, stay in hospital, rehabilitation, etc. were stronger and fitter than before the accident. They did two things: they took it a day at a time and they compared themselves with themselves, not with others.

Keep your successes within reach, within sight.

Especially for those of us who’re the “responsible workaholic” type with a perfectionist streak, it’s natural to focus on what’s missing, what’s not right. Successful poems used to get deleted from that Word table to make sure they weren’t accidentally sent out again. Now I have them on top of the table, in bold print. A great reminder.

I also have an A4 folder with letters and emails from editors and competition organisers, certificates. My own work is on a shelf in a bookcase in the room where I write. The picture is of a competition certificate. It was one of my earliest successes (1988) and I was thrilled to receive it. I framed it and put it on the hall wall, at the bottom of the stairs.

Games Certificate

Eggs in baskets

I’ve started writing and sending out flash fiction and I greatly enjoy blogging. Since closing my practice I have more time for and energy for writing and for sending the work out in the world, but I was becoming too attached to the outcome. It’s good for me to not have all the eggs in one basket.

Zen and the Art of Submitting Poetry

Rejection does not make you a bad poet.
Acceptance does not make you a good one.
Therefore, neither should trouble you.

Chase after fame, however, and you put your life
into the hands of others:
They will tip you between hope and despair.

Aim, then, to be aimless.
Seek neither publication, nor acclaim:
Submit without submitting.

The poem is by Cameron Self and it’s on the Literary Norfolk site.

What a waste!

hardys-well-2-e1529961469867.jpeg

Hardy’s Well is a pub at the end of Manchester’s famous Curry Mile. The building is 200 years old. As a bet with the landlord in 1994 Lemm Sissay wrote the poem that is on the side wall: a rebellious shout. The pub closed in 2016 and is at risk of being demolished. A planning application has been submitted for a block of 26 flats with shops. The wall with the poem will be retained inside the new building. Below is my reply to Lemm Sissay.

What a waste!

What a waste of wise, witty words, wholly wild, worldwide; wicked, wanton, willful, witless wickedness.
When the watering hole Hardy’s Well is without water, wine, whiskey, whisky,
without Wienerwurst, Wi-Fi, whitebait, wontons, wedges, waffles;
without waiters, white witches, widows, widowers in wellingtons,
women, wheeler dealers, wastrels, wino’s, woodworkers in winklepickers,
white wicket keepers, weightlifter with whippets whining at the window;
Welsh welders in woollen woven wetsuits.

Wretched, wretched, wretched! Wrong, wrong, wrong!

We who wave at weddings, whisper at wakes, we wish to wave wands,
write wry words as ways to wound those wealthy windbags with their weasel words.
When we wander away towards Withington, walk against whipping wind
we weep, watching weeds, wear and tear on wooden wheelbarrows
in a wasteland, we who wage war against wrongs, let’s have a whip round.

Poet Lemm Sissay is philosophical about the development: Things change, and new poems emerge. It’s all part of the march of time. (Manchester Evening News).

 

Refrigerator, 1957

To help me get back into writing, I got out 52. Write a poem a week. Start now. Keep going. The book originated in the 52 Project by Jo Bell and guest poets. I opened it at random and got to Prompt No. 15 titled Bell, Book and Candle. This is a prompt on writing about the unnoticed object.

The second sample poem Refrigerator, 1957 is by the American poet Thomas Lux. As synchronicity would have it, today is the first anniversary of his death. He was born in 1946 on the dairy farm his father owned. On poets.org, the website of the Academy of American Poets, I watched a short video In Memoriam 2017 which had a picture and a short quote by each of the US poets who died last year.

Adding that date to an ordinary object already makes it less ordinary. It tells us the perspective is that of an eleven-year old boy. More like a vaultyou pull the handle out it starts. There is humour: not a place to go in hope or hunger. Then the poem zooms in, heart red, sexual red, neon red, on that jar of Maraschino cherries. The same jar there through a childhood of dull dinners… Then we go down the timeline to grandparents, pig farm in Bohemia. The poem ends and because you do not eat/ that which rips your heart with joy.

 

 

 

 

 

Joan – writing prompt

To honour International Women’s Day I’m posting this poem about a woman.  It was first published in The Best of Manchester Poets, vol. 2, published by Puppywolf (2011).  I aimed to give the reader enough clues (the Gauloises cigarettes, the stubborn streak) for them to be able to guess the identity of this woman before they read the final lines.

Writing prompt

It’s a good prompt: with which historical figure (famous or infamous) could you have gone to school, college, university with?  Did you even sit next to them in the classroom?  What were they like then?

Joan
One of the girls I went to college with
was Joan who’d left home early.
She smoked Gauloises, had a stubborn
streak, wanted to study philosophy.
We thought she was depressed; she cut
herself and once put out a cigarette on her arm.
I wish I’d asked her why.  I can see her now
with that hair cropped short, staring straight ahead.
People shouting, the smoke, the crackling fire.
Too hot, I need to step back.

 

 

 

 

 

 

 

Paterson

During the Christmas holidays I went to see Paterson, the delightful film about a bus driver who writes poems.  The poems in the film are by the New York poet Ron Padgett.  Back home I found his work in the New York Poets II Anthology, including the Love Poem that Paterson writes in the film.  The first line is: We have plenty of matches in our house. 

Paterson is also the title of a long poem by William Carlos Williams, so I re-read him.  Seeing Paterson sit in his bus scribbling away each morning before he drives off for the day reminded me of another American poet, William Stafford.  He wrote a poem each day, starting with a brief description of the weather, then a short aphorism, then a poem.  I believe his “hit rate” for acceptances was 1 : 7, or 1: 8.  I’ll settle for that!

May you have a healthy, happy and creative year.  If you’re short on inspiration, you can always write about the matches in your house.  Over Christmas I used up a couple of boxes of good old “Svalan” from Sweden.  Now I’ m on “Flix” from the Netherlands.  The packaging is modern, but the tips are brown…