Tag Archives: mental heatlh

Chalking the Pavement

It is a great pleasure to introduce this month’ guest poet Kate Noakes. Kate and I met during the first lockdown on Zoom (a group set up by a fellow poet). Kate Noakes’ most recent collection is Goldhawk Road (Two Rivers Press, 2023). Her website is www.boomslangpoetry.blogspot.com. She lives in Bristol.

Earlier this month Kate’s poem The Sick Spring appeared on the blog. It is from her pamphlet, Chalking the Pavement, published by Broken Sleep Books in 2024. At the heart of the book is Field Notes 2020. Field Notes has 65 entries: observations of life during the first lockdown in the form of prose poems.

I’ve chosen five, from the beginning and end of the sequence. All of them show Kate’s acute attention to detail as she ‘captures the soon-forgotten details of the changes to our lives’.

Field Notes 2020

Children are rediscovering, or discovering, the pleasures of chalking the pavement with hearts and messages of love for the NHS. Hopscotch has the thrill of the new, but neither the girl nor her mother knows how to play it. I look around for a handy stone. None are at arm’s length.

*

The slates pathing my garden are sleek with wet. Dust is dampened. This morning after weeks of early summer-in-spring is a change and a good one. I’ll rest indoors trying not to dwell on my friend’s friend: just two years older than us and dead. All day the blackbirds have busied about the garden in search of nesting materials. Such industry, even in the constant day-drip of rain.

*

My neighbour tells me he’s been scaled back to three days a week with attendant pay cut, yet considers himself lucky; most staff in his firm having been let go, along with eight percent of those in hospitality.

*

A windy day for children to learn or relearn the small pleasure of flying a kite. Prescriptions need at least a week’s notice and the pharmacist tells me there is some drug rationing. We have learned that a life is worth sixty thousand pounds; in case you’re ever wondered. And again there is no surprise in discovering that some people believe rules only apply to others.

*

I want my day to always start with a fishing heron and a cormorant drying its wings on the foreshore near the bridge, the tide running out, and the sun brilliant on the water. White stripes on the river path every two metres are a constant presence that it is hard to ignore.

Late in the year …

woman

Woman, Leeds Museum

I am very glad to leave this year behind me. Those of you who’ve been following the blog for some time know that the chronic Brexit stress had badly affected my health. I was in and out of hospital for a series of investigations, blood tests and scans. The National Health System (NHS) is extremely short on resources and staff, but every individual I met treated me well and as an individual. Brexit will now happen, so I must apply for settled status soon.

I got the all-clear late August and my second collection Nothing serious, nothing dangerous came out last month. The poetry world is extremely competitive, so I was delighted to be asked for a manuscript! My third book, a pamphlet called A Stolen Hour, will be published Spring 2020 by Grey Hen Press.

The small paperback Creative Visualisation by Shakti Gawain is my Desert island favourite. I’ve had a copy for decades. First published in 1978, it’s been a bestseller since. On or around New Year’s Eve I always take stock. A regular item on my seasonal To Do list is the gratitude list. On a personal level there is a great deal to be grateful for.

 

Creative Visualisation

 

Thank you for following my blog. I leave you with a poem about 2019 and a blessing for 2020 – a new year and another decade.

 
Late in the year

It was late in the year, too late
for the year to end in an orderly manner.
This year had no manners; it stopped
suddenly in July and now it was travelling
at speed, but in the wrong direction.

Four horses pulling the carriage
splash through puddles on the rutted road.
Through an archway into the yard – a square
dark patch – a small whimpering dog
left behind now the owners have moved.

This year is like that farm, empty
and cold, a broken window, dead
birds in the chimney, overgrown grass.

The lanterns on the carriage are getting
smaller still and the road is a dead-end
stony track ending high up on the moors.
It was that kind of year, we were lost
and not all of us would survive it.

 

Blessing

May inspiration come to you
whether you’re awake or asleep.
May the poems you find be yours to keep.

May you create easily to give you a lift
while your inner critic works a different shift.