Tag Archives: inspiration

Mine

It’s my pleasure to introduce our May guest poet Jane McKie. We met many years ago on a writing workshop and are still part of an email group. You can find her biography at the end of this post. Cinnamon Press recently published her new poems and I’ve chosen some poems from Mine: vivid, clear embodied images with marvellous economy.

Mine

On nights when the wind drops, I hear it crooning softly,
not like a real bomb. A toothless, barnacled silhouette, wittering
to itself when the tide is low. My friends and I sometimes get close,
daring each other to nudge its rust. But what happens when
the music cuts out? Tonight, the mine’s a mute companion:
whiff of brine, cryptic fist. As my eyelids close, that’s when it—

Kevlar


I am the tattoo of a spider’s web
on a sixteen-year-old girl’s calf.
Traced from a drawing of a photo,
in time, I will thread up her thigh,
over her whole torso, in a riot of
silk that is stronger than Kevlar.

She will wear me like armour:
my vest of ink, her toughest skin.
Who wouldn’t fear a woman
fluent in the language of spiders?
Those twitches in cobwebs
that throb like old wounds.

Dreaming in an age of austerity


Not a single one finished: all mark time
until a rich developer completes the job.
Here, stone knuckles. There, exposed metal rods
stab at the sky like a mech-monster’s fingers.

Not vital or hungry, these resort Titans.
But not quite dead either. Gulls like to roost
in the pockets of them. Gulls dabble bills in
puddles that form from the absence of roofs.

Even small children play in the undead bodies
of imagined buildings, sneaking past tape
to be mummies and daddies in beautiful houses
that shelter insatiable, suckling doll-babies.

Polished malachite


on my desk, riven
with almost-blue, a pool
or algal cistern.

I touch it when I’m sad
and its green eye blinks, rippling
with souterrain light.

Biography


Jane McKie is a Senior Lecturer in Creative Writing at the University of Edinburgh. She has written several poetry collections, including Morocco Rococo (2007), Kitsune (2015), and Quiet Woman, Stay (2020) with Cinnamon. Her most recent full collection is Carnation Lily Lily Rose (Blue Diode, 2023). She lives in Scotland, but was originally from the Sussex coast, which inspired several poems in Mine.

Had I not been lonely …

Matthew Sweeney, 2006


When I saw a post by ‘Albert’ on Twitter with this quote by L S Lowry: Had I not been lonely I would not have seen what I did, it reminded me of this poem by Matthew Sweeney. A fine ekphrastic poem that moves beyond description, as it enters into dialogue with the artist about their work.

I have a few ekphrastic poems that need expanding in some way, so I’m going to do some research and explore how I could incorporate the artist’s own words into those poem. Is this something you might do with your own writing? If you’re a painter, photographer, sculptor, do poems inspire you?


Here are the two parts of Matthew Sweeney’s poem Dialogue with an Artist

Matthew died in 2018, his poems are still with us.

Dialogue with an Artist

THE LONELY
Incorporating the words of L.S. Lowry

I used to paint the sea, but never a shore,
and nobody was sailing on it. It wasn’t even
the sea, it was just my own loneliness.

It’s all there, you know. It’s all in the sea.
The battle is there, the inevitability of it all,
the purpose. When I switched to people

they were all lonely. Crowds are the
loneliest thing of all, I say. Every individual
in them is a stranger to everyone else.

I would stand for hours in one spot
and scores of little kids who hadn’t had
a wash for weeks would group round me.

Had I not been lonely, none of my work
would have happened. I should not have
done what I’ve done, or seen what I’ve seen.

There’s something grotesque in me and I
can’t help it. I’m drawn to others who are
like that. They’re very real people. It’s just

I’m attracted to sadness and there are some
very sad things. These people are ghostly
figures. They’re my mood, they’re myself.

Lately, I started a big self-portrait. I thought
I won’t want this thing, no one will, so
I went and turned it into a grotesque head.

MEMO TO LOWRY

You’re right, there are grotesques who shine
a dark light that lures us like how the sirens
tried to lure Odysseus, and yes, maybe we
ourselves are among the grotesques, but
there are also the beautiful who, if we’re
lucky, save us from ourselves, and validate
the sun’s light, and maybe also the moon’s.