Tag Archives: Golden Shovel form

A Golden Shovel poem about Brexit…

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The Campo, Siena, Italy.

The Golden Shovel form was invented by Terrance Hayes. His poem Golden Shovel is a tribute to the poem We Real Cool by another US poet Gwendolyn Brooks. It is a poem about a group of young black men playing pool in the Golden Shovel. Terrance Hayes’ poem stays close to the subject of the original poem. You can find it on the Poetry Foundation site.

A Golden Shovel poem takes a line from another poem and places the words at the end of the lines of the new poem. So, Terrance Hayes’ poem starts:

When I am so small Da’s sock covers my arm, we
cruise at twilight until we find the place the real

men lean, bloodshot and translucent with cool.
The UK is inching closer and closer to the 29 March deadline for leaving Europe. I’ve had chronic “Brexit Anxiety Disorder” for over two years now, so was glad to escape for three weeks to Lanzarote – warmth, sun, walks by the sea, good books, company of family and friends.

Here is my first attempt at a Golden Shovel poem. It is inspired by a line from Nine Allegories of Power, by John Siddique: The accumulation of seconds in which empires are born, gather their height and become broken statues and friezes in museums far away.

In Blighty

So much here in Blighty has been lost, replaced or deleted: in the
grey city centre European Christmas markets confront an accumulation
of dirty duvets in doorways of offices and hotels. I hear the faint ticking of
clocks, hold memories of closed libraries, swimming pools. No seconds
are offered in foodbanks. Minutes after my friend put tinned rice in
a cardboard box in Sainsbury’s, she tripped on the cracked pavement which
has an outline in white paint. The people, many of them, dream of empires
returning. The past was always another country and pipe dreams are
made of clay. One man’s dream is another woman’s nightmare. I was born
in a land below the sea, the North Sea, a country where politicians gather
around tables, walk the corridors in The Hague to arrive, eventually, at their
destination: consensus, compromise, through polderen. I cry at the height
of hypocrisy when Britannia rules the waves, Jerusalem, and
other iconic symbols are stolen by those moneyed men who have now become
European citizens simply through buying in. The UK, my home for 45 years, is broken
but the chimneys of empty factories will outlive the stately statues
of proud admirals on horseback. They are already covered in pigeon shit and
some wear a fluorescent yellow jacket. High up in the Gallery are Victorian friezes
and dusty glass cases display the relics of civilisation, while upstairs in
the Elgin Room a silent queue shuffles, some people are crying. These museums,
(yes, every town or city has its Museum of Lost Marbles), have at the far
end the emergency exit, a green man running, running, running away.