Monthly Archives: March 2025

Chalking the Pavement

It is a great pleasure to introduce this month’ guest poet Kate Noakes. Kate and I met during the first lockdown on Zoom (a group set up by a fellow poet). Kate Noakes’ most recent collection is Goldhawk Road (Two Rivers Press, 2023). Her website is www.boomslangpoetry.blogspot.com. She lives in Bristol.

Earlier this month Kate’s poem The Sick Spring appeared on the blog. It is from her pamphlet, Chalking the Pavement, published by Broken Sleep Books in 2024. At the heart of the book is Field Notes 2020. Field Notes has 65 entries: observations of life during the first lockdown in the form of prose poems.

I’ve chosen five, from the beginning and end of the sequence. All of them show Kate’s acute attention to detail as she ‘captures the soon-forgotten details of the changes to our lives’.

Field Notes 2020

Children are rediscovering, or discovering, the pleasures of chalking the pavement with hearts and messages of love for the NHS. Hopscotch has the thrill of the new, but neither the girl nor her mother knows how to play it. I look around for a handy stone. None are at arm’s length.

*

The slates pathing my garden are sleek with wet. Dust is dampened. This morning after weeks of early summer-in-spring is a change and a good one. I’ll rest indoors trying not to dwell on my friend’s friend: just two years older than us and dead. All day the blackbirds have busied about the garden in search of nesting materials. Such industry, even in the constant day-drip of rain.

*

My neighbour tells me he’s been scaled back to three days a week with attendant pay cut, yet considers himself lucky; most staff in his firm having been let go, along with eight percent of those in hospitality.

*

A windy day for children to learn or relearn the small pleasure of flying a kite. Prescriptions need at least a week’s notice and the pharmacist tells me there is some drug rationing. We have learned that a life is worth sixty thousand pounds; in case you’re ever wondered. And again there is no surprise in discovering that some people believe rules only apply to others.

*

I want my day to always start with a fishing heron and a cormorant drying its wings on the foreshore near the bridge, the tide running out, and the sun brilliant on the water. White stripes on the river path every two metres are a constant presence that it is hard to ignore.

Saved by bankruptcy

Photo credit: Pieter van Marion, NL

I had booked return flights Manchester – Exeter to visit my poet friend Kathleen. My trip was going to be in the third week of March 2020. On the 5th of March Flybe filed for administration and ceased all operations immediately. I lost £65, but I was very relieved: If I had flown to Exeter, I might well have been stuck in Devon as that first lockdown started…


On Sunday 15 March I learned the British government was considering a compulsory quarantine. The next day I emailed the owner of the campsite asking if I could arrive early. He replied immediately. I booked a flight, transferred money, packed, agonised over which poetry books to take to my ‘desert island’ near The Hague. I flew to Schiphol on the Wednesday. The local buses already had the area near the driver closed off with white-red plastic.


Here are two poems about that first lockdown:

The departure

Half a century condensed into Brexit, pandemic.
At the threat of a four-month’ compulsory
quarantine I fled to my bolthole in Holland.

Six months of safety in a static caravan,
waking to birdsong each morning,
shielded from the sun by the golden elm.
I walked my daily rounds on the grass lanes.

Forsythia, tulips, narcissi, rhododendron,
pyracantha, salvia, rock rose, asters:
the seasons’ steady markers. From a distance
I waved to neighbours finally arriving.

In the cupboard of the spare room
lay the letter confirming my ‘settled status’
on the other side of the North Sea.

The undertakers

A double spread in the paper
features a large photo.

This man, in his thirties, a narrow
horizontal moustache, soft smile.

He sits in a wooden boat, his right hand
resting on a plain white coffin.

People are asked to email text and selfies.
Made into cards, these are placed on the coffin.

He is based in Amsterdam, will transport
you safely through the canals.

That undertaker has just opened a crematorium.
He also owns a chain of hotels.

The pandemic has cut the numbers allowed
to be in the room. There is livestreaming.

People, he says, are glad of it.
The intimacy makes it easier to speak.

At the end of September 2020, the campsite closed. I got a Covid test somewhere in the centre of The Hague and flew back to Manchester.

Late lockdown poem

I wake up and know, of course,
that I am not a morning person.
The sound of rain, of course,
and fewer sirens as people
are supposed to be at home.
My lifelines are the same, of course:
motto, comfort break, medication.
Of course, I think about exercise,
settle for Composer of the Week,
dead, of course.

Marie-Louise Park, Didsbury, Manchester, UK

A postage stamp, Joshua calls it

He’s right and there’s traffic noise
from the main road and people
with dogs on long leads,
but not all the benches
are dedicated to the dead,
Marie-Louise is a pretty name
for a park and the 43 Airport bus
is a hybrid and no-one much
was going to the airport
that autumn: I often had the bus
to myself, both ways.

Friday, 13 March 2020

Tuesday, 3 March 2020

As I was updating the website recently, I was reminded of the lovely interview that Andy N Poet did that very Friday. He came to the flat in Manchester where I then lived. On the 3rd of March I had launched a pamphlet and my second collection at the International Anthony Burgess Foundation. The launch was one of the reasons for the interview. Andy has now done several hundred interviews. You can find them all on Spokenlabel.bandcam.com Here is the link to my interview: SpokenLabel

When I listened to the interview this week, it felt spooky at times. Early February 2020 I had received confirmation of my ‘settled status’. I told Andy that I hoped to spend ‘most of the summer’ in my caravan in The Netherlands, that I couldn’t immediately tell him who my ‘desert island’ poets would be. At one point Andy mentioned the ‘virus’.

Here is a poem about that Friday from Kate Noakes who is our guest poet this month. The poem is from her 2024 Chalking the Pavement published by Broken Sleep Books.

The sick spring

Thirteenth March, a Friday with which comes
a most lauded play, Stoppard’s last contract:
Vienna, and a family succumbs,
fortunes and losses in Leopoldstadt.

I am treated to the stalls by a friend
of a friend, a nice man I do not know.
His cancelled cultural holiday ends
with a short email critique of the show.

I give him scenes, chronology, pictures,
timings avoiding history’s clichés;
how I stepped into busy Leicester Square
with foreboding that hurried me away,

and how I scurried home to a semi-death:
headache, sore throat, cough and struggle for breath.