Tag Archives: Adeela Suleman

Refusal of a visit visa (3)

suleman 3

What Dreams May Come (2015) placed between After All It’s Always Somebody Else Who Dies (2017).

Adeela Suleman writes: My work is profoundly shaped by the way in which violence is performed, experienced and remembered. The more heinous the violence, the more beautiful its memorial.  In contemporary Pakistan death surrounds us, nameless, faceless and countless. In Karachi up to 12 people a day die in gangland and politically motivated murders.

The birds are dead. They make a pattern, a simple pattern that silently repeats itself. Silence haunts you, silence is disturbing. The delicate sparrow is a symbol and their shadow on the wall a reminder of the fragility of life.

After all it’s always somebody else who dies

The headless warrior still stands strong, holds his shield,
grips the tall lance, two narrow ribbons flutter.
Reeds, flowers and grasses part for his feet.
A memorial captured in carved wood stained green,
the colour that pleases the prophet.

Hand beaten and hand beaten from behind, through
chasing and repoussé, the stainless steel sparrows
that tumbled to their death. On the left 420 sparrows,
their beaks and feet touching, all held together.
On the right the same number of sparrows,
a shiny, shiny stillness.

My poem was a response to Suleman’s sculptures. It appeared in Building Bridges, an international anthology edited by Bob Beagrie and Andy Willoughby, published by Ek Zuban in 2017.

 

 

 

Refusal of a visit visa (2)

Recent Poetry School workshops have been held in the Manchester Art Gallery. So, we have been inspired by sample poems as well as the works on display. On the second floor there have been several interesting exhibitions of modern art. Dashing back downstairs I missed the display on the foyer wall – an enlarged copy of Home Office form OV51 Visit (NRA). On the first page the staff have given another reason for the refusal. They doubt that the artist has control over her bank account (the application was accompanied by bank statements, as required).

visa 2

Some personal details have been blacked out prior to posting, but the applicant is born in Pakistan and the work in the gallery is by Adeela Suleman, a sculptor and artist and Associate Professor and Head of the Fine Art Department of the Indus Valley School of Art and Architecture in Karachi.

My short “found” poem:

Refusal of a visit visa

Date of refusal decision: 13 September 2017

Furthermore, you have stated that you are single
with no dependents.

I am not satisfied that you have demonstrated ties
to Pakistan that would give you reason to return
there.

a simple pattern that silently repeats itself
               silence haunts you
                                       silence is disturbing

 

Text in italics by Adeela Suleman.